A string of a dozen four-year-olds paraded by the front of the coffee shop, chubby little hands grasping the rope connected by a teacher at each end. Some kids waved and smiled, one asked the teacher what we—the folks sitting at the open coffee shop window—were doing, but it was a little girl in the middle that caught my attention. She was in the center of the pack holding onto the rope just like all the other kids, but what made her stand out was that her eyes were closed. She had red, curly hair, and a tiny, knowing smile on her freckled face. She followed along, trusting the rope, trusting the teachers at either end, trusting the kids in front of and behind her. The pack moved slowly enough for me to see that she wasn’t peeking out from squinched eyes, she wasn’t glancing at the ground while trying to maintain the impression of trusting. In fact her eyes weren’t squeezed shut, they were simply closed. She looked…relaxed.
Writers and artists are all around us, y’all. In this case, Wendy Lym is a colleague and neighbor (her office is just down the hall from mine) at the community college where I teach. Since we’re also friends on social media, I learned that she won the Texas Observer’s 2017 short story contest with Muriel, and I knew I had to interview her about her off-campus life as a writer. Enjoy!
Making time to write.
This is difficult. Some days it is impossible.
How do I find time to draft ideas, make outlines, develop characters?
Then I remember: I wrote an entire novel in 15-minute increments. I did it in the car, at the Laundromat, while the kids were in the bath. I am not a drafter. I am not an outliner. I have tried time and again to sit down and PLAN what I am going to write. But I know that the stories are all around me and they come out when I least expect it. I want to scoop them up, I want to see the ideas floating in my everyday life and use those to get better. I’ve stopped working on my novel for a bit so I can focus on smaller pieces, short stories that bring together everything I am trying to do in my giant book. They’re small, manageable slices of the larger ultimate goal.
I found this postcard at The Strand in New York City. It struck a nerve for me. I tacked it on my bulletin board where all of my writing stuff goes, right next to the “No clichés, asshole!” note my writing instructor Janelle left in one of my margins. Prime spot on the board.